![]() ![]() Tracks / Formats (USA - REPRISE RECORDS):ĬD-Maxi 2-42620 (Reprise commercial CD single)Ģ. PL12 MUTE 294 (Mute promotional 12" single #2) P12 MUTE 294 (Mute promotional 12" single) RCD MUTE 294 (Mute promotional CD Single) NOTE:First pressings of the CD have an inaccurate track listing on the sleeve.Ģ - Dirty Sticky Floors (Junkie XL Dub - Edit)ġ - Dirty Sticky Floors (Junkie XL Vocal Remix)ġ - Dirty Sticky Floors (Lexicon Avenue Vocal Mix) ![]() Release date: May 26th, 2003 (UK - Mute) / May 27th, 2003 (US - Reprise) / June 9nd, 2003 (UK 12"'s)ġ - Dirty Sticky Floors (Radio Mix, by Alan Moulder)ġ - Dirty Sticky Floors (Junkie XL Vocal Remix - Edit)Ģ - Dirty Sticky Floors (Lexicon Avenue Vocal Mix - Edit)ģ - Dirty Sticky Floors (The Passengerz Dirty Club Mix - Edit) Exclusive b-roll footage from the New York acoustic performanceĪudio samples of each track are available in the Audio area. A Little Piece (exclusive New York acoustic performance)Ħ. Hold On (exclusive New York acoustic performance)ĥ. Exclusive b-roll footage from the Dirty Sticky Floors video shootĤ. ![]() Mute - STUMM 216, LCDSTUMM 216 special edition CD/DVD (UK) Release date: June 2nd, 2003 (UK - Mute) / June 3rd, 2003 (US - Reprise) While it doesn't shy away from recalling his past demons, Paper Monsters ultimately points toward his optimism for the future.Releases // Last Updated - November 3rd, 2003Ĭlick a cover to go to the details for that release. Paper Monsters is a competent solo debut, and although it doesn't stray too far from the Depeche mold, Gahan does manage to put his own stamp on the songs. They, along with producer Ken Thomas ( Sigur Rós), began shaping Gahan's ideas into a mix of swampy blues-injected rock, slick urban electronica, and atmospheric balladry. Initially shy and even a bit scared, it wasn't until he began jamming with friend and multi-instrumentalist Knox Chandler that he gained the confidence he needed to get serious about releasing an album of his own material. Additionally, "Hidden Houses" offers his most naked moment on the album: "Inside each man is a frightened lamb who hides beneath the sheets/Waiting for a chance to just be free." Having toyed with the idea of releasing a solo album ever since Depeche Mode released Exciter, Gahan approached the project slowly. On "I Need You" and "Hidden Houses," Gahan sounds as though he could be addressing all of his subjects at once. "Hold On" and "A Little Piece" each offer a glimpse into Gahan's reconciliations with a higher power, while "Bitter Apple," "Black and Blue Again," and "Goodbye" shed light on his relationships, both bad and good. As the titles suggest, "Dirty Sticky Floors" and "Bottle Living" are glam-induced snapshots of Gahan's days spent at rock-bottom. While the lyrics on Paper Monsters lack some of the depth and clever irony associated with those of bandmate Martin Gore, Gahan masters innuendo, often hiding the true identities of his subjects. Following Gahan's journey through both physical and mental rehabilitation, Paper Monsters is what many would expect - a collection of material culled from his addictions, failed relationships, and spiritual rebirth. As his addictions worsened, Gahan lost his friends, lost himself, and for a few short minutes, lost his life before paramedics revived him after an all-night drug binge. When Depeche Mode regrouped to record Songs of Faith & Devotion, Gahan had transformed himself into the perennial junkie. By the early '90s, however, Gahan had moved to L.A., gotten hooked on heroin and booze, and immersed himself in the grunge scene. Although the group often flirted with gloomy overtones throughout their career, they maintained a largely squeaky-clean image. As the lead vocalist for Depeche Mode, Dave Gahan appeared to be far removed from the common trappings of rock & roll stardom. ![]()
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